How do I create a Custom Backing Track?. Though they sounded too sanitized when closing with their biggest hit, "Bad Girlfriend," which lacked the raw, risqué glee of the radio version. Post-grunge middle act Theory of a Deadman had a clean sound, too, with sturdy hooks and likeable singer Tyler Connolly. rock band led by Bec Hollcraft notable for both her clear vocals and the bullwhip she brandished. Nobody was tossing Mardi Gras beads, but it was a satisfying night begun with Stars in Stereo, a solid L.A. Once "Glycerine" ended, a few drum swipes from Goodridge, who had sneaked back onto the stage, clued in fans that the last song would be the anthemic "Comedown," which sounded wonderful with its stops and space mounting tension for the chorus' sweet release. Rossdale performed "Glycerine" solo electrically strumming up a cloud of guitar fuzz, which he stopped abruptly, daring the crowd to sing aloud the next verse, a challenge they gladly accepted. Prior to "Glycerine," Rossdale lectured two combative male spectators who looked ready to start throwing punches at each other (security gave the heave-ho to several concertgoers earlier, though otherwise it was a resoundingly respectful crowd.) Next came the night's lone surprise, Bush covering the Talking Heads' "Once in a Lifetime." Rossdale didn't emulate David Byrne's spastic stage movements, though Bush's version worked well. Once Rossdale emerged safely on stage from his lengthy romp through the crowd for "Little Things," the band left the stage, only to return a minute or two later for an encore launched with 1990s fan fave "Machinehead." New selections like "This House is on Fire" and the late-set "Just Like My Other Sins" sounded catchy enough to deserve radio attention, if stations could look past Bush's mid-1990s successes.īut those are the songs fans grew up with and love, and Bush didn't disappoint its Pittsburgh throng. Rossdale hit a higher gear musically, when he put down his guitar and began hopping for "The People That We Love," egging on the crowd to lift its arms in unison, which they were happy to do.īush played five songs from "Man on the Run," the band's commercially underwhelming 2014 album. Maybe he needed a more enticing wardrobe than his nondescript dark shirt and dark pants (does his spouse, clothing designer-rocker Gwen Stefani, let him leave the house like that?) Though I noticed more female fans lustfully gawking at him at Bush's October 2011 Stage AE show. Rossdale's raspy, impassioned vocals were robust, seldom wavering unlike several spotty moments earlier that afternoon during his live, four-song unplugged performance on 105.9-The X.Īt age 49, Rossdale remains fit, trim and assured, with the back of his hair tucked stylishly into a man bun. Robin Goodridge, along with Rossdale the other original Bush man, carved out an almost funky percussion riff amid all the heavy guitars on "The Chemicals Between Us." Next came 1996 album cut "Greedy Fly," showcasing the fluid guitar lines of Chris Traynor (formerly of Helmet). The largely 30-something contingent fondly remembered Bush's six-times platinum "Sixteen Stone" album, a mid-1990s cornerstone for Pittsburgh's burgeoning alternative-rock radio stations, one of which - 105.9-The X - remains.Ĭoncertgoers clear up in the balcony Tuesday rapturously pumped their arms and pointed their fingers at Rossdale, singing along with early-set hit "Everything Zen." The crowd, just short of a sellout, connected with Bush's post-grunge potency. Sure, a half-dozen dudes strutted through the concert club sporting Mardi Gras beads, though it was a different sort of revelry - one born of serious songs intensely played - that made the night memorable. That's when you knew Bush was headed for a fantastic finish on Fat Tuesday. PITTSBURGH - A sea of Stage AE spectators seemed to swallow up Gavin Rossdale who stayed calm and carried on singing "Little Things."
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